Disney's Aladdin

[JaySevenZero]

Here's where you can contribute your memories and opinions of Disney's Aladdin (MD/Genesis and SNES versions) for potential inclusion in the forthcoming podcast.

Friendly reminder to all that where feedback for the podcast is concerned, we love it - but self-editing (brevity) is appreciated. We do want to include a breadth of opinions where appropriate, but no-one wants a discussion podcast that’s mainly reading. Better to save yourself time and cut to the chase if you can.

[Magical_Isopod]

As I write this, I've just received my new copy of Aladdin for the Super Famicom in the mail, and I've just been hit with this intense wave of nostalgia. Of course, I played the SNES version as a kid, but the Japanese import was like $30 cheaper on eBay, so... Perhaps label me a miser.

Anyway. This game, for me, has a very specific attachment to a very specific place. Growing up, we would usually spend all the important Orthodox holidays - Christmas, Easter, in advance of weddings and baptisms, etc. - at the home of my Teta Kim and Uncle George in Scarborough, a suburb of Toronto. The adults would usually talk about worldly matters upstairs in the dining room (usually with a healthy mix of English and Macedonian), while my cousins and I would head down to the basement. I distinctly remember: This basement was huge - there was a big, cavernous TV room that took up most of the basement, and a second, smaller room where they had all the gaming stuff. On one side, there was the Super Nintendo - I know they had Mega Man X, Turtles in Time, Super Street Fighter II Turbo and Mega Man Soccer - and Aladdin of course. On the other side, they had a PC with DOOM and Putt-Putt Goes To The Moon on it. This would have been somewhere between the age of 3 and 6 for me - so aside from maybe the arcade, my very first memories with gaming occurred in this room, in this house.

My memories of Aladdin - the only game my brother and I could really figure out how to play at the time - are deeply intwined with the smells and sounds of that house. When I hear the intro level music, I can hear family members arguing in Macedonian, probably over trivialities. When I hear the sound of bouncing off a city guard's head, I can hear the very distinctive sound of the security system chiming when someone went out for a smoke. And as a really weird matter of fact, when I was a toddler, before I had even formed memories, I apparently managed to bounce around in one of those Jolly Jumpers so energetically, I happened to fall down those stairs to the basement - where I would have landed right in front of that gaming room. So in a really weird way, basically the first 6 or 7 years of my life are so heavily tied to this place, which in turn are so heavily tied to this specific game... I can actually connect a scar just above my hair line, from when I apparently fell down those basement steps, to a licensed Disney game from the early 90s. Isn't it utter madness, how the human memory makes associations?

(I'll probably update this when I actually get a chance to play Aladdin again, but I really had to write all this down - Back to RE2make now!)

[The Baboon Baron]

For some reason only known to my 90’s child brain, I bought Aladdin on the Game Gear first. It was the first games machine I ever owned, and the portable, colour Sega machine was the ultimate gaming machine in my youthful eyes. It was the magic carpet level that drew me towards Aladdin- the adverts on Saturday mornings as well as the footage on Games Master all showed this white-knuckle thrill ride whilst being chased by a wall of fire, all whilst Robin Williams’ genie cracked wise- It looked like heaven.
So, spare me and others like me a moment’s thought that we bought the Game Gear version. It lacked a lot of the pizazz and flare of the console versions- no voice work, no walls of flame, no “hilarious” monkey Bonus stages. But despite this, there was still a solid core of 2D platforming & enjoyable chip tunes. The Magic Carpet section was a damp squib on the hand held, and the overall package was a far cry from consoles’ diamond in the rough.
The Game Gear got flogged at some point, and a shiny Mega Drive took stage centre. Even in black and white (the only spare tv) Aladdin looked impressive. Plus, on the Mega Drive version he had a sword for attacking enemies. Truly Sega did what Nintendon’t.
Its hard to articulate the power these 16-bit Disney adaptations had at the time- the palette of colours now made it look just like the film, and the atmosphere translated very well, ranging from the quite playful chaos of Agrabah to the genuinely spooky dungeon section and final boss. Also, its worth flagging that from the moment the game boots, the genie shoots a bird out of the sky, making sure a sense of humour is front and centre from the start and throughout, a key element of the film the game was aping.
Aladdin himself had plenty of charm and controlled quite well, with the era’s floaty jumps present and correct. The plot of the game followed the film’s story well, making full use of locales to ensure that the player was always interested in what would come next. A multitude of power up’s kept things interesting, and a fair difficulty curve ensured replays, though the previously mentioned Game Gear version is far too hard for most players.
I would struggle to pick between Aladdin or Lion King for best Disney game adaptation- both embraced the 2D cartoon approach which ensures that they’re both not only playable, but visually solid even today. The subsequent era of 32 & 64 bits has aged horribly by comparison. Aladdin should be remembered as one of Virgin Interactive’s classics, part of that golden era of successful tie ins like the mighty Cool Spot. To a certain age group who grew up with both a great film and a great game, this is a timeless classic.

3WR- PHENOMINAL COSMIC POWER

[Alex79uk]

Megadrive Vs SNES, this is one of those games that really split people down the middle. Me, I'm firmly in the Megadrive camp. Absolutely gorgeous visuals and animation that truly stand the test of time. I replayed the game fairly recently, and it's still as fun as it ever was. I remember at the time feeling like I was genuinely playing a cartoon. As far as movie tie-in games went, this was a genuine high spot. Not just that either, it's a fantastic platformer in its own right. A little on the easy side, sure, but if you want to wallow in some early-90s nostalgia for a while, Aladdin will see you right.

THREE WORD REVIEW: Magic carpet ride.

[Alex79uk]

I would struggle to pick between Aladdin or Lion King for best Disney game adaptation

The Jungle Book was excellent, too.

[KissMammal]

I imagine this episode will at least in part be a comparison of the Mega Drive/Genesis and SNES versions of the game, and as the common consensus these days seems to be that the Mega Drive version was superior, I’ll go to bat for the SNES version.

Yes, the Mega Drive version looked better - it still looks incredible even now, despite the relatively limited colour palette. Yes, it was slicker and ran smoother. And yes, you got a sword. But I never really got on with how it actually played. The SNES version just seems a lot tighter and more satisfying to me in terms of its controls and platforming. But then in all honesty, I never really rated any of the Shiny/Virgin Interactive games aside from how they looked, and always thought they were a bit style over substance. They always seemed like more a showcase for their animation rather than gameplay mechanics.

But hey, personal preference and all that - I suspect as is usually the case with these things a large part of it comes down to which one you played the most as a kid.

[ratsoalbion]

It’s definitely not going to be a ‘which is best?’ show - we’re not interested in that - but no doubt we will have our preferences and will compare the two different approaches (American and Japanese).

[KissMammal]

For sure.

No doubt the MD is the more well-known and iconic game - I just feel that the SNES version often gets somewhat overlooked as a result. Great that you're covering both.

[OneCreditBen]

I did the SNES version ages ago for the channel. Loads of fun and I keep meaning to dig the MD version out again and get that done too.

*Disclaimer*
This video contains a Michael Barrymore Joke.

[ratsoalbion]

Going to assume you mean a joke regarding the controversial circumstances surrounding the once popular comedian, rather than a repurposed old gag from Barrymore’s routine.

[Alex79uk]

I think they should get Barrymore back on the telly. I caught an old episode of Strike It Lucky the other day, and the man was a genius light entertainer. Very quick, and whilst not hilarious in the same way perhaps Lee or Kitson are, he's a born funnyman. Genuinely.

[OneCreditBen]

Going to assume you mean a joke regarding the controversial circumstances surrounding the once popular comedian, rather than a repurposed old gag from Barrymore’s routine.

The last time Michael Barrymore got Aladdin he nearly went to prison.

[Mr Ixolite]

I only just recently found ot there was more than one Aladdin platformer. To me there was just “the floppy-disk one I played on my parents old computer”, and its simplified Gameboy port -which is weird in hindsight, considering it was apparently the Genesis version.

At the time I considered the game a gorgeously faithful rendition of the animated film, and it still looks good, with eye-popping colors and fluid animations. I particularly enjoyed the small touches, such as guards burning their feet on hot coals, and Genies face serving as a supplement to your health bar, as he grows increasingly panicked as you near death.

The inviting visuals were likely a big asset for the game, as my younger self found it extremely difficult, being stuck on the carpet-riding escape from the Cave of Wonders in particular for ages. And when you finally beat that you need to face a hellish obstacle course conjured up by genie inside his lamp, which caught me completely off guard. “This wasn’t in the movie! Why is Genie trying so hard to kill me? I thought he was my friend!”. Of course the challenge makes sense from a gameplay perspective since the game is almost over, despite the movie only being half done at this point. As a kid I didn’t think much of these differences, but looking back they give the game a weird, unique identity which only superficially resembles the original– Theres purple bomb-throwing skeletons! One of the bosses is they guy who dies in the first scene! Aladdin cuts down guards by the dozens! But hey, since you’re already taking liberties making the movie a game, better go all out.

[Suits]

The last time Michael Barrymore got Aladdin he nearly went to prison.

Wow.

[psychohype]

I miss the days when it was possible to have two separate developers take a crack at the same license, thus resulting in two distinct but contemporaneous games releasing on roughly parallel platforms like the SNES and Genesis/Mega Drive. Even back then, I don’t think it happened very often, but the curious case of the two 16-bit Aladdin games still stands out in my memory—largely because I think they both happen to be quite decent. Capcom’s SNES version may have moved at a slightly slower pace, but its emphasis on swinging acrobatics seemed appropriate to the spirit of the Disney film. The choice to give Aladdin a sword in the Virgin-developed Genesis version may have seemed like a questionable decision at first, but when you play it or see it in action, it doesn’t feel out of place.

If it comes down to a vote regarding which is the superior game, I have to nod my head to the Genesis version. I do appreciate its faster, smoother animation, as well as the more saturated color palette. It’s certainly not without its drawbacks though. It suffers from a lot of the same general player feedback issues that would go on to frustrate the experience of games like Earthworm Jim, made by many of the same people, or Pitfall: The Mayan Adventure. The levels, characters, and objects all looked great, but it was sometimes hard to distinguish things like the character hit boxes or what constituted a platform and when. I hated the Genesis version’s magic carpet level for its cheap one-hit deaths. Am I crazy, or do I remember the game just let me skip that level after failing so many times? I can’t recall if I ever made it out of the genie’s lamp alive, but I know I never managed to beat the game. That said, I did pick up a used copy at a retro game store a few years back, so I’ll probably give it another effort eventually.

[duskvstweak]

I loved the SNES Aladdin when I was kid. It was one of my favorite movies then (and now) and it was a game I could play and beat fairly quickly, meaning I played through it a few times. In my later teen years, I found a copy of it and replayed it, surprised but how much I still enjoyed it.

As a seven year old, it wasn't just how much fun it was to play, it was the fact that it LOOKED like the movie. The backgrounds, the characters and most of the music were faithful to the film and that was a huge factor in why I replayed the game so many times. That and the fact that the magic carpet scenes were so much fun and that Jafar looked so menacing in his snake form.

Also, as a slight loner of a seven year old, I didn't know anyone with a Sega, which means I didn't even know there was a different version of the game! I've still never played that version, because it wouldn't be MY Aladdin game, the game that I have nothing but warm memories of.

[BlueWeaselBreath]

If you’d asked me in the 90’s which was better, the Genesis or the SNES version of Aladdin, I’d say it was a no-brainer. The Genesis one, obviously! I hadn’t played either, only seen the screenshots in magazines, and the beautiful, colorful Genesis sprites looked so much better than the small, muddy, drab SNES sprites. I played five minutes of the Genesis one as a kid, and that cemented my opinion.

I’ve still never played the SNES version, but after finally delving again into the Genesis Aladdin late last year, for real this time, I have to say, the SNES version probably has superior gameplay. After save-scumming my way through about half the Genesis version, I realized I wasn’t enjoying the experience. Sure, it was beautiful, and the ludonarrative dissonance of the pure-of-heart Aladdin hacking dozens of guards and merchants to death with a scimitar was a hoot! But the hit detection was completely wack. I couldn’t tell how close I could get to a pit before falling in. Each new level started to get visually repetitive after about sixty seconds. I was dying constantly, not able to dodge or attack deftly enough. In spite of my love of the movie and my theoretical attraction to this version of the game, I wasn’t having fun! I kept meaning to go back and finish the Cave of Wonders, but I still haven’t yet. I’d love to give the SNES one a try someday.

[Magical_Isopod]

Want to add some additional commentary relating to the Genesis version. This is a game I've owned 3 times now, because it's so inexpensive and is frequently featured on "best of" Genesis lists. But I always wind up selling it, because it just does nothing for me.

So I sat down with my third copy today and tried to figure out why this game has been such a forgettable experience... And I think it may just come down to having too many trappings of Western Genesis game design. The soundtrack is a respectable homage to the movie score, but something about the sound font just sounds *wrong*, like it's too squeaky and farty compared to what the Genesis is capable of. The colour palette also strikes me as rather sedate compared to the louder style of the original animation. The gameplay, too, seems a little off - Aladdin the movie character is sly, and averse to conflict... But Aladdin the Genesis character swings a sword around like a bank robber playing samurai.

However, a lot of the animations and graphical tricks are technically impressive, and Virgin Interactive really had mastery of Genesis graphics tech back in the day. I can see why people like it - but I ultimately prefer the SNES version for being more faithful to the source film.

[ashman86]

Genesis player checking in here. As a kid, we rented a copy of Aladdin over one weekend, and I remember being struck by how great the game looked and just how well it--at least to my younger sensibilities and imagination--captured the look and feel of the motion picture, which was a favorite in our home. It really opened my eyes to the possibility that games could one day look and sound like the animated movies we'd see in the theater.

I was 7 or maybe 8 years old, and completing a game was still a major achievement for me each time I managed to do so, but I played through Aladdin from start to finish, wonder by wonder, over sideways and under the course of a single weekend, tossing apples and swinging my sword to victory. I was breathing hard, my hands shaking, when I managed to defeat Jafar, and then I could hardly believe I had done it. What a magic carpet ride! A thrilling chase!

But Aladdin was hardly a whole new world for me. After finishing it, I put the game away in its box and returned it to the shop the following day after school, my memories of it already beginning to fade. As time would go on, I'd sometimes remember tossing apples on that initial stage or soaring, tumbling, and freewheeling through the dreamy and colorful cave of wonders level with a smile on my face. Many years later, well after having also played (and not finished) Disney's The Lion King on Genesis, I'd learn about the games' reputations with many gamers around my age. While a fantastic point of view, it's not really one I can say I share.

They were solid platformers and definitely better than your run-of-the-mill movie tie-ins, but I couldn't count them among my favorite games on the platform. Maybe my tastes were already shifting away from platformers and towards new horizons to pursue: more open-ended games, particularly on PC, that seemed less intent on telling the player no or where to go.

[Simonsloth]

Being someone whose only flirtation with Sega or Nintendo in my youth was via the handhelds I never experienced a lot of the so called classics.

I remember vividly seeing Aladdin running in my local video game store but never getting a chance to play it as my parents couldn’t tolerate the queues. I didn’t even realise there were multiple versions until much later as the Mega Drive version seemed to be everywhere and was the one all my school friends were playing. The SNES version seemed to have far less traction perhaps this was because of the Mega Drive marketing itself as the more edgy console. Given my favourite Disney film was Aladdin there was a considerable amount of jealous directed at my school friends.

Having played them for the first time after years living in the dark I found both games to be good examples of the genre. They are however in my opinion wildly different to play. I know direct comparisons are not what the show is about but when you have two games based on the same intellectual property released on rival consoles simultaneously it’s tricky not to.

The Mega drive version looks and sounds like poetry in motion which on release must have been a technical marvel and perhaps might explain why it appeared to have more media coverage. However I dont really enjoy it as a game. The platforming and sword combat seem imprecise and floaty which initially wasn’t an issue as the game is incredibly easy at first. However as the game progresses and the difficulty rises I found myself undertaking a rather joyless task in completing it. I suspect the opening sequences would have made the perfect demo and given how impressive the game looked those who did queue in store to play it were probably convinced to buy it pretty easily.

Now the SNES version looks like the poor cousin when sat next to the mega drive version. It seems like a platform game that was being made at the time then repurposed as an Aladdin game. However in my opinion it is the much better game to actually play. As with most Nintendo platformers the jumping and movement is so precise that any mistakes made were mine alone. I always knew where I would land, where my attacks would hit and although the game appears underwhelming at first aesthetically the experience is far more rewarding.

It’s interesting after all these years to discover the game I was so jealous of my friends for owning is actually not the game I thought it was and not even the version I would enjoy the most.